The Review’s Review
The Staff of The Paris ReviewEvery week, our staff and contributors write brief reviews of books, movies, art, and other things.
Every week, our staff and contributors write brief reviews of books, movies, art, and other things.
Illingworth examines recently released books, with a focus on the small presses, the reissues, the esoteric, and the newly translated.
Delistraty travels across Europe searching out exhibitions that speak to a wider cultural context.
Vincler examines what is it that we can find in paintings in our increasingly digital world.
Documenting the sights, the sounds, and the ball playing at the Durham Bulls Athletic Park in 2013.
Cohen gets to the bottom of it all.
Kisner examines the stories our bodies tell.
Sloan explores her family history through iconic landmarks in Detroit.
Excerpts from writers' diaries, along with their annotations.
LaPointe focuses on the art of the gamble, one famous gambler at a time.
Stivers devises meals inspired by great works of literature.
Forrest unearths the lost stories of the transgressive horsewomen of turn-of-the-century Paris.
Garman’s biographies of under-read female authors.
Aw explores how his favorite masterpieces of Asian cinema have influenced him.
Mark focuses on fairy tales and motherhood.
Things that obsess writers in their home environments.
Kelleher does a deep dive into the history of various shades.
Writers discuss the books they’re reading with their kids to help them through the COVID crisis.
Talbot’s column traces the moments before her daughter leaves for college.
Dolven takes apart and puts back together one beloved or bedeviling sentence.
Brunetti begins with a close read of a single comics unit—a panel, a page, or a spread—and expands outward.
Pericoli designs and builds stories as architectural projects.
This column seeks new ways into beloved novels through wardrobe, with printable illustrated paper dolls and attire by Kroik and essays by Berick.
White illuminates history via the lives it almost forgot.
Writer and visual artist Osunde takes apart the surreality of time and the senses.
Gabbert revisits canonical works of literature and addresses the anxiety of confronting the art of the past (and the past in general).
Abdurraqib revisits the golden age of basketball movies, shot by shot.
Abdurraqib muses on the relationship between songs and memory.
These lyrical essays capture the mood of the changing light.
Inspired by Roland Barthes, O’Gieblyn examines contemporary artifacts and the mythologies we have built around them.
White serves up lesser-told stories of chefs cooking in interesting times.
Writers expound on a single word of their choosing.
Chen contemplates how to maintain barriers in a dissolving world, and more, from the perspective of this humble invertebrate.
Dispatches from things we see, and especially things we hear.
Sante’s essays on the visual ephemera of the past.
Readers write in with a specific emotion, and our resident poets prescribe the perfect poems to match.
In this series, writers present the books getting them through these strange times.
Scholes exhumes the out-of-print and forgotten books that shouldn’t be.
MacLaughlin’s lyrical columns capture the mood of the changing light, in this case at daybreak.
MacLaughlin looks up at the sky in these lyrical essays.
A series devoted to curing insomnia with the dullest, most soporific texts available in the public domain.
MacLaughlin’s four-part series on the lengthening light.
What writers around the world see from their windows.
Snapshots of the abyss that writers stare into most frequently: their refrigerators.
Frankie Thomas takes a second look at the books that defined a generation.